With over 15 years of experience in post production, I have been bringing to life high-quality advertising and entertainment for some of the world’s largest brands and networks. I have overseen the post production and delivery of several seasons of broadcast network television shows and feature films alongside talented teams of editors, sound designers, colorists, and post-producers.
Throughout my career, I have focused on providing a large variety of clients with my unique technical and stylistic expertise, utilizing the latest non-linear offline/online workflows, file management techniques, and broadcast standard best-practices. I continue to provide valuable feedback, suggestions, and workflows to several up and coming freelancers and post-production houses across the United States on a regular basis.
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Commercial Clients
Apollo, Autoweek, General Motors,
Infiniti, Kia, Porsche,
Road & Track, ZF Motorsports
Broadcast Shows
/DRIVE on NBCSN
Proving Grounds
Off The Grid: Indycar
Feature Films
APEX: The Secret Race Across America
Commercial Clients
Adidas, Adidas Originals,
Autodesk, Citifyd, GoPro,
Intel,Nike, Road & Track
Broadcast Shows
/DRIVE on NBCSN
Proving Grounds
Off The Grid: Formula 1
Feature Films
Luz
The Falls: Covenant of Grace
The Hours Till Daylight
The Falls
Commercial Clients
Adidas, Amway, Bing,
Black Diamond, BMW,
Bridgeport Brewery, DeMarini,
Google, Kroger Companies, Liberty Mutual, Logitech,
Microsoft, Nike, Peak
Feature Films
Love Eclectic
Birds of Neptune
Homeskillet
The Big Lonely
The Punishing Business
Rodeo Dog
The Winding Stream
Columbia District
Walking the Camino
Alien Boy
Commercial Clients
Adobe, Autodesk, gDiapers,
Intel, Nike, Outrigger Hawaii,
Procter & Gamble
For over 15 years I've worked as an editor in everything from a live news environment, to an ad agency and post production studio. I've worked with a variety of brands large and small bringing their visions to life on social, broadcast, and theatrical platforms around the world.
Equipped with a Flanders Scientific broadcast reference monitor and Blackmagic Design Micro Panel, I've been coloring everything from commercial spots to feature films from my home studio for the last several years.
Having worked in a post production facility for over five years as a finishing editor, and now as Senior Editor for Tangent Vector, I'm no stranger to reviewing technical specifications for broadcast and theatrical distribution and developing post-production workflows to meet those stringent requirements.
I've been working remotely for the last several years as a Senior Editor and have built out my home studio to include all of the staples one would find in a full sized post production facility. From multiple high-end PC workstations to a 96TB shared NAS for high-speed media storage, I've invested heavily into my infrastructure here at home in order to meet the needs of the clients I'm serving. I've also built out a seperate kit to work remotely, on location as needed.
+503 475 4839
