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What it looks like

01. Works

Who I am

02. About

With over 15 years of experience in post production, I have been bringing to life high-quality advertising and entertainment for some of the world’s largest brands and networks. I have overseen the post production and delivery of several seasons of broadcast network television shows and feature films alongside talented teams of editors, sound designers, colorists, and post-producers.

Throughout my career, I have focused on providing a large variety of clients with my unique technical and stylistic expertise, utilizing the latest non-linear offline/online workflows, file management techniques, and broadcast standard best-practices. I continue to provide valuable feedback, suggestions, and workflows to several up and coming freelancers and post-production houses across the United States on a regular basis.

Click here to download my full resume.

  • Timeline

    January 2019 - Present

    Senior Editor
    Tangent Vector

    Full-time

    Commercial Clients
    Apollo, Autoweek, General Motors,
    Infiniti, Kia, Porsche,
    Road & Track, ZF Motorsports
    Broadcast Shows
    /DRIVE on NBCSN
    Proving Grounds
    Off The Grid: Indycar
    Feature Films
    APEX: The Secret Race Across America

  • Timeline

    December 2012 - Present

    Offline/Online Editor
    Colorist & Motion Graphics

    Freelance

    Commercial Clients
    Adidas, Adidas Originals,
    Autodesk, Citifyd, GoPro,
    Intel,Nike, Road & Track
    Broadcast Shows
    /DRIVE on NBCSN
    Proving Grounds
    Off The Grid: Formula 1
    Feature Films
    Luz
    The Falls: Covenant of Grace
    The Hours Till Daylight
    The Falls

  • Timeline

    October 2012 - December 2017

    Offline/Online & Finishing Editor
    Mission Control

    Full-time

    Commercial Clients
    Adidas, Amway, Bing,
    Black Diamond, BMW,
    Bridgeport Brewery, DeMarini, Google, Kroger Companies, Liberty Mutual, Logitech,
    Microsoft, Nike, Peak
    Feature Films
    Love Eclectic
    Birds of Neptune
    Homeskillet
    The Big Lonely
    The Punishing Business
    Rodeo Dog
    The Winding Stream
    Columbia District
    Walking the Camino
    Alien Boy

  • Timeline

    January 2011 - October 2012

    Senior Editor
    Opus Creative

    Full-time

    Commercial Clients
    Adobe, Autodesk, gDiapers,
    Intel, Nike, Outrigger Hawaii,
    Procter & Gamble

What I do

03. Services
Editing

For over 15 years I've worked as an editor in everything from a live news environment, to an ad agency and post production studio. I've worked with a variety of brands large and small bringing their visions to life on social, broadcast, and theatrical platforms around the world.

Color Grading

Equipped with a Flanders Scientific broadcast reference monitor and Blackmagic Design Micro Panel, I've been coloring everything from commercial spots to feature films from my home studio for the last several years.

Broadcast and Feature Film Finishing

Having worked in a post production facility for over five years as a finishing editor, and now as Senior Editor for Tangent Vector, I'm no stranger to reviewing technical specifications for broadcast and theatrical distribution and developing post-production workflows to meet those stringent requirements.

Remote Based, Able to Travel

I've been working remotely for the last several years as a Senior Editor and have built out my home studio to include all of the staples one would find in a full sized post production facility. From multiple high-end PC workstations to a 96TB shared NAS for high-speed media storage, I've invested heavily into my infrastructure here at home in order to meet the needs of the clients I'm serving. I've also built out a seperate kit to work remotely, on location as needed.

Get in touch

04. Contact
William Schultz

Austin, TX

+503 475 4839